Loretta Lynch

East Bay Express	[03.22.2008]
"If Loretta Lynch sounds a bit off, it's supposed to; if it doesn't, you're not listening hard enough. Nothing's sacred in modern music, and while this San Francisco quartet holds outlaw country in high esteem, it's not entirely loyal. Loretta Lynch plays the sort of California country-lover's country that has no past, as if it rolled in on a wave one day and set up shop. Buttery vocal harmonies and wary rhythms convey timeless tales about heartbreak, coming home, and growing old that still manage to sound utterly modern. - Nate Seltenrich, East Bay Express
Americana UK	[08.23.2007]
... Grab a copy of Loretta Lynch’s new album “Concrete and Ether”... as much vino and tequila as you can carry ... Let the music of Loretta Lynch whirl you into a frenzy, dance around the living room in full view of the neighbours, and exorcise those demons. - Americana UK
Hicks with Sticks - May 19th, 2007 issue	[05.30.2007]
Loretta Lynch has generally straddled the line between the better aspects of twang and pop, but their second CD, "Concrete & Ether", is clearly on the twang side of the fence. The CD's strengths are its harmonies, songwriting and an undercurrent of humor that adds up to a balance of variety, cohesion, and sustained listenings through repeated plays. The band gets right to it on the opening track with a sweet, cheeky number about needing a good-for-nothin', low-down man to fill "Your Old Shoes." Track two is a lively addition to honky-tonk's storied "Drinkin' for Two" category. There's also something to be said for judging a CD by its covers which are very different here and equally interesting. One is an a capella take on the traditional gospel number, "Wayfaring Stranger." The other is an accordion-lead version of "New World" which, in its original, was a Reagan-era political anthem from the punk band X. Melanie DiGiovanni from Yard Sale, a kindred band to Loretta Lynch, renders what was once John Doe's raucous guitar lead on her squeezebox, while three-part harmonies from the Lynch ladies lower the song's anthemic quality without lowering its bite. This band might have had a good reason to fold instead of grow. A new baby* came along and practice and performance time were naturally limited. It's a treat that they could get a CD out at all, let alone such a good one. - Jose Segue, Hicks With Sticks - www.hickswithsticks.com (2 SLIGHT CORRECTIONS * actually, this is Heather's accordion debut - Melanie plays on track #4 - Santa Muerte ** Loretta is sporting TWO NEW BABIES!! Ari's Rowan (4/28/04) and Heather's Lily (7/13/05).
KALX Radio	[03.12.2003]
"Loretta Lynch's sweet facade -- gorgeous vocal harmonies, seemingly-pleasant melodies, exceptional musicianship -- masks their richly nuanced dark underside of regret, loss, murder, revenge, and bad drunken decisions made in late-night bars. That they do it with such beauty (and the odd smack of a really barbed sense of humor and a toe-tappin' tune that's difficult to dislodge from one's head) marks them as being in a class with very very few acoustic musicians. And if only more lyricists had their way with language..." - Carnackie, KALX radio
SF Weekly	[12.11.2002]
Loretta Lynch gives traditional bluegrass a good goosing By Chris Baty If you ask me, there are really just two types of country bands: those that do a cappella versions of Liz Phair's X-rated song "Flower," and those that don't. Happily, the East Bay's Loretta Lynch belongs in the former camp, and its cover of Phair's ditty says a lot about the group's irreverent approach to musicmaking. "We wanted to be careful not to be uptight traditional bluegrass," explains Loretta Lynch's singer/guitarist/ accordion player, Valerie Esway. "Not that traditional bluegrass necessarily is uptight, but there are purists, and none of us really wanted to fall into that [trap]." The four-piece -- composed of Esway (Ramona the Pest), singer/guitarist/mandolin player Ariadne Fellows-Mannion (ex-Hoarhound), vocalist Heather Davison (Hanes Family and the Baroque Choral Guild), and singer/guitarist Joe Rut (86) -- has also been known to follow up a mournful Emmylou Harris tune with a song by indie rockers Yo La Tengo. The band's eclectic cover choices balance out an equally freewheeling roster of original material, much of which draws heavily on the group's heart-melting three-part harmonies. Each of the Lynchers takes a turn at songwriting duties, resulting in a twangy mishmash of mandolin-plucky bluegrass, soulful murder ballads, and lush singer/songwriter folk. Despite their short life span together so far (they had their first show in May), the musicians have already landed opening slots for Austin altcountry band the Damnations and sad troubadour Richard Buckner. Not all of their gigs, though, have been at the most, er, traditional of places. "We've played the Cannabis Club," Esway says, laughing. "They love us over there." The group was also hired by Kaiser Hospital to perform at a Walnut Creek hospice memorial service. "We were all really nervous," Esway says of the gig. "It was an honor to be a part of it." Loved by both grieving relatives and registered potheads -- now that's great country music.